Blow Par

It’s breaking records at the moment for opening-weekend business in Ireland. Like everything about the man known for “breaking necks and cashing cheques”, I find this baffling. All this doc is is an alter for his fandom to worship at, and ultimately contributes little to our knowledge or understanding of this divisive global figure. A missed opportunity. 


Conor Mcgregor: Notorious
Cert: 15A

THIS nation of ours can be neatly divided not only along party-political lines or brands of tea but also on Conor McGregor.

To his fans, the Dubliner is a sharp-witted Adonis and lofty athlete who rose from working-class origins to global fame through determination and discipline.

To his detractors, meanwhile, he is little more than a boorish, homophobic thug whose only obsession other than himself is lining his pockets in a brutally violent exhibition unworthy of being called a sport.

Gavin Fitzgerald’s slick film is unconcerned with giving McGregor and MMA a rigorous examination. Completed in intimate proximity to the UFC star (who also produces), this is a hagiographic, access-all-areas portrait designed to trumpet the man-myth and secure a Christmas bonanza of DVD sales by his devotees. If you’re looking for new insight, look elsewhere.

They will relish seeing their hero lounging in Las Vegas wealth-porn and filling his marble hallway with cackle after self-congratulatory cackle as the Diaz title bout looms. Boringly, the rags-to-riches-to-rematch narrative is structured precisely as you’d expect.

Strictly for McGregorites.


First published in the Sunday Independent


Published by

Hilary A White

Dublin-based arts journalist and reviewer, specialising in film, books, music and human-interest stories. Sunday Independent / Irish Independent / / RTE Radio 1 / Today FM

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